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Praised by Stephen Baxter and Adam Roberts, reviewed ecstatically by SFX magazine, Gavin Smith’s first novel VETERAN announced an exciting new voice on the SF scene. WAR IN HEAVEN, set in the same universe, followed. Now comes a new standalone SF thriller.
Of all the captains based out of Arclight only Eldon Sloper was desperate enough to agree to a salvage job in Red Space. And now he and his crew are living to regret his desperation.
In Red Space the rules are different. Some things work, others don’t. Best to stick close to the Church beacons. Don’t get lost.
Because there’s something wrong about Red Space. Something beyond rational. Something vampyric…
Long after The Loss, mankind is different. We touch the world via neunonics. We are machines, we are animals, we are hybrids. But some things never change. A Killer is paid to kill, a Thief will steal countless lives. A Clone will find insanity, an Innocent a new horror. The Church knows we have kept our sins.
Gavin Smith’s new SF novel is an epic slam-bang ride through a terrifyingly different future.
Of all the captains based out of Arclight only Eldon Sloper was desperate enough to agree to a salvage job in Red Space. And now he and his crew are living to regret his desperation.
In Red Space the rules are different. Some things work, others don’t. Best to stick close to the Church beacons. Don’t get lost.
Because there’s something wrong about Red Space. Something beyond rational. Something vampyric…
Long after The Loss, mankind is different. We touch the world via neunonics. We are machines, we are animals, we are hybrids. But some things never change. A Killer is paid to kill, a Thief will steal countless lives. A Clone will find insanity, an Innocent a new horror. The Church knows we have kept our sins.
Gavin Smith’s new SF novel is an epic slam-bang ride through a terrifyingly different future.
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Reviews
Age Of Scorpio announces loud and clear that in Gavin Smith an exceptional talent has arrived to uplift SF. The book is a master class of twisting plot lines that celebrate both the weird and astounding, amid a future that's deeply unnerving yet equally compelling.
Gavin Smith's writing is a brutal kaleidoscope of imagination, with the raw energy of a heavy metal album cover: equally dazzling with bloodthirsty ancient Picts and the fallen post-humans of tomorrow.