One of our finest SF writers moves closer to home. London is devastated. New worlds are being explored. And the aliens have arrived ...
The aliens are here. And they want to help. The extraordinary new project from one of the country's most acclaimed and consistently brilliant SF novelists of the last 30 years.
The Jackaroo have given humanity fifteen worlds and the means to reach them. They're a chance to start over, but they're also littered with ruins and artifacts left by the Jackaroo's previous clients.
Miracles that could reverse the damage caused by war, climate change, and rising sea levels. Nightmares that could forever alter humanity - or even destroy it.
Chloe Millar works in London, mapping changes caused by imported scraps of alien technology. When she stumbles across a pair of orphaned kids possessed by an ancient ghost, she must decide whether to help them or to hand them over to the authorities. Authorities who believe that their visions point towards a new kind of danger.
And on one of the Jackaroo's gift-worlds, the murder of a man who has just arrived from Earth leads policeman Vic Gayle to a war between rival gangs over possession of a remote excavation site.
Something is coming through. Something linked to the visions of Chloe's orphans, and Vic Gayle's murder investigation. Something that will challenge the limits of the Jackaroo's benevolence ...
Paul McAuley won the Philip K. Dick Award for his first novel and has gone on to win the Arthur C. Clarke, Sidewise, British Fantasy and John W. Campbell awards. He gave up his position as a research biologist to write full time. He lives in London.
Highly recommend everybody buy Something Coming Through because it is great — Pat Cadigan
McAuley's latest is smart, it's challenging, and as an exploration of the social consequences of sudden science fictional change, it's very impressive indeed — SFX
The action, slow to get going, builds to a dramatic climax of chases and shoot-outs. Crime-tinged SF at its canniest. — The Financial Times
What really lifts the book out of the ordinary though, is the Jackaroo...The Jackaroo are an enduring mystery that will get readers back for the next instalment. — The Register
It's difficult to find fault with this book - there are a strong cast of characters, enigmatic aliens, a well-woven crime plot and an interesting focus — Fantasy Book Review
It's instantly gripping and Paul goes a long way to slowly ease new readers into his strange and wonderful Jackaroo... I already know that "Something Coming Through" will be one of my favourite books of the year. It finds McAuley at the top of his powers - mind-bending, inspiring and very very exciting — Upcoming 4 Me
Full of exciting plot twists and an intriguing mix of human and non-human chracters, this murder mystery set up in a dystopian is future history at its very best — Starburst Magazine
Packed with ideas, fantastic world-building and enigmas, and combining elements of first contact, alien artifacts, a touch of dystopia and good old fashioned conspiracy, murder and greed. It's a great combination, all handled with a terrific mix of intelligence and accessibility — For Winter's Nights
a compelling and realistically imagined piece of speculative fiction anchored be weighty contemporary concerns — The Irish Times
McAuley writes intelligent hardcore SF, and this should win him countless new readers — The Guardian
Something Coming Through is science fiction at it's peak, its modern, clever, involving. It's got more ideas than a science fair and more mystery than Miss Marple. Wrap that all up in an original first contact story with some enigmatic aliens, even stranger ancient technology and some great characters and you have one hell of a book — SF Book
brilliantly splits the difference between James A. Corey's frenetic science fiction and the more considered catastrophes of McAuley's own Quiet War novels. It's fun; it's fascinating; it's fantastic — Tor.com
Something Coming Through is as tight and relentlessly paced as an Elmore Leonard thriller, and full of McAuley's customary sharp eye for dialogue and action. What's really impressive, though, is that it achieves a seamless fusion of the day-after-tomorrow SF novel - it's as interested in gritty Earthbound near-futurism as William Gibson or Lauren Beukes - with the cosmological themes of McAuley's galaxy-spanning space operas. It's the freshest take on first contact and interstellar exploration in many years, and almost feels like the seed for an entire new subgenre — Alistair Reynolds