By Charles Platt
Loose Canon assembles thirty-four essays and reviews and associated texts - originally published in Interzone, Science Fiction Eye, New York Review of Science Fiction, The Magazine of Fantasy and Science Fiction, among other sources - from the early 1980s to the end of the 1990s.
By Philip Eade
'Brisk, lively and wonderfully entertaining' JOHN BANVILLE 'Excellent ... read this book' LITERARY REVIEW'The best single-volume life of the author available' IRISH TIMESThe much mythologised author of DECLINE AND FALL, A HANDFUL OF DUST and BRIDESHEAD REVISITED was hailed by Graham Greene as 'the greatest novelist of my generation', yet reckoned by Hilaire Belloc to have been possessed by the devil. Evelyn Waugh's literary reputation has continued to rise since Greene's assessment in 1966. Fifty years after his death, Philip Eade draws on extensive unpublished sources to paint a fresh and compelling portrait of this endlessly fascinating man, telling the full story of his dramatic, colourful and frequently bizarre life.
I Must Belong Somewhere
By Jonathan Dean
'An extraordinary family tale of survival' Sunday TimesHuman and curious . . . an admirable family memoir of migration' GuardianJonathan Dean's great-grandfather, David Schapira, lived a life of epic achievement and epic suffering. Forced to flee Ukraine at the outbreak of World War I, he was blinded fighting for his adopted country then survived - just - the concentration camp that country later sent him to. In between he found love and laughter in Vienna, and became the first Austrian lawyer to train using braille - something no Briton would do until the new century dawned. Dean's grandfather, Heinz Schapira, was also a refugee. Aged 16, he said goodbye to his parents and embarked on a nail-biting journey to Britain, to escape his fate as an Austrian Jew. The prejudice he faced and assimilation he achieved are laid out in the pages of his diary, pages filled with pain and joy, surprising observations and irrepressible humour. But this is no ordinary family history. As Dean visits the places which changed the course of his family tree - Vienna, Cologne, Ukraine - he finds history repeating itself. He talks to refugees from the Middle East, people who left their homes and families at the same age as David and Heinz. And he observes the warning signs: the bigoted excesses of Brexit Britain, the rise of the Far Right in Austria, the backlash against refugees in Germany. By viewing these contemporary experiences through the prism of his family history - and vice versa - Dean creates an impassioned, profoundly timely study of what it means to be a refugee, to be European and, ultimately, to be British.
Lines in the Sand
By A.A. Gill
'By miles the most brilliant journalist of our age' Lynn Barber'A golden writer' Andrew MarrA. A. Gill was rightly hailed as one of the greatest journalists of our time. This selection of some of his recent pieces, which he made himself before his untimely death, spans the last five years from all corners of the world. It shows him at his most perceptive, brilliant and funny.His subjects range from the controversial - fur - to the heartfelt - a fantastic crystallisation of what it means to be European. He tackles life drawing, designs his own tweed, considers boyhood through the prism of the Museum of Childhood, and spends a day at Donald Trump's university. In his final two articles he wrote with characteristic wit and courage about his cancer diagnosis - 'the full English - and the limits of the NHS. But more than any other subject, a recurring theme emerges in the overwhelming story of our times: the refugee crisis. In the last few years A. A. Gill wrote with compassion and anger about the refugees' story, giving us both its human face and its appalling context. The resulting articles are journalism at its finest and fiercest.
By H.G. Wells
Stong-willed, reckless and fiercely independent, Ann Veronica Stanley is determined to be a 'Person', to work, love and, above all, to live. Walking away from her stifling father and the social conventions of her time, she leaves drab suburbia for Edwardian London and encounters an unknown world of suffragettes, Fabians and free love. But it is only when she meets the charismatic Capes that she truly confronts the meaning of her new found freedom. Ann Veronica caused a sensation, damned in the press and preached against from the pulpits when it was first published in 1909 due to Wells' groundbreaking treatment of female sexuality.
By H.G. Wells
George Ponderevo, a student of science, is enlisted to help with the promotion of Tono-Bungay. Tono-Bungay is a harmful stimulant disguised as a miraculous cure-all, the creation of his ambitious uncle Edward. As the tonic prospers, George experiences a swift rise in social status, elevating him to riches and opportunities that he had never imagined, nor indeed desired. Meanwhile, George ricochets romantically between his unsuccessful marriage to Marion, his affair with the liberated Effie and his doomed relationship with the Hon. Beatrice Normandy, a childhood friend. But the Tono-Bungay empire eventually over-extends itself and George must try to prop up his uncle's finances by stealing the radioactive compound 'quap' from an island near Africa...
By John Clute
For more than 50 years John Clute has been reviewing science fiction and fantasy. Strokes is a collection of reviews from a wide variety of sources - including Interzone, the New York Review of Science Fiction, and Science Fiction Weekly - about the most significant literatures of the twenty-first century: science fiction, fantasy and horror: the literatures Clute argues should be recognized as the central modes of fantastika in our times. It covers the period between 1966 and 1986.
Look at the Evidence
By John Clute
For more than 50 years John Clute has been reviewing science fiction and fantasy. Look at the Evidence is a collection of reviews from a wide variety of sources - including Interzone, the New York Review of Science Fiction, and Science Fiction Weekly - about the most significant literatures of the twenty-first century: science fiction, fantasy and horror: the literatures Clute argues should be recognized as the central modes of fantastika in our times. It covers the period between 1987 and 1992.
By John Clute
Stay gathers together 100,000 words of reviews, plus short fiction by John Clute, and was originally published to coincide with Loncon3 (the 2014 World Science Fiction Convention) at which he was one of the Guests of Honour.Also included is a complete reprint of the text of The Darkening Garden.
By John Clute
For more than 50 years John Clute has been reviewing science fiction and fantasy. As Scores demonstrates, his devotion to the task of understanding the central literatures of our era has not slackened. There are jokes in Scores, and curses, and tirades, and apologies, and riffs; but every word of every review, in the end, is about how we understand the stories we tell about the world. Following on from his two previous books of collected reviews (Strokes and Look at the Evidence) this book collects reviews from a wide variety of sources, but mostly from Interzone, the New York Review of Science Fiction, and Science Fiction Weekly. Where it has seemed possible to do so without distorting contemporary responses to books, these reviews have been revised, sometimes extensively. 125 review articles, over 200 books reviewed in more than 214,000 words.
Pardon This Intrusion
By John Clute
Pardon This Intrusion gathers together 47 pieces by John Clute, some written as long ago as 1985, though most are recent. The addresses and essays in Part One, "Fantastika in the World Storm", all written in the twenty-first century, reflect upon the dynamic relationship between fantastika - an umbrella term Clute uses to describe science fiction, horror and fantasy - and the world we live in now. Of these pieces, "Next", a contemporary response to 9/11, has not been revised; everything else in Part One has been reworked, sometimes extensively. Parts Two, Three and Four include essays and author studies and introductions to particular works; as they are mostly recent, Clute has felt free to rework them where necessary. The few early pieces - including "Lunch with AJ and the WOMBATS", a response to the Scientology scandal at the Brighton WorldCon in 1987 - are unchanged.
By John Clute
Canary Fever is a collection of reviews about the most significant literatures of the twenty-first century: science fiction, fantasy and horror: the literatures Clute argues should be recognized as the central modes of fantastika in our times. The title refers to the canary in the coal mine, who whiffs gas and dies to save miners; reviewers of fantastika can find themselves in a similar position, though words can only hurt us.
By Vikram Seth
'I have so carefully mapped the corners of my mindThat I am forever waking in a lost country...'SUMMER REQUIEM traces the immutable shifting of the seasons, the relentless rhythms of a great world that both 'gifts and harms'. Luminous, resonant and profound, these poems trace the dying days of summer, 'the hour of rust', when memory is haunted by loss and decay. But in the silence that follows, as the soul is cast adrift, there is also reconciliation with the transience of all things; the knowledge that there is a place, 'changeable, that will not betray'.