Lines in the Sand
By A.A. Gill
'By miles the most brilliant journalist of our age' Lynn Barber'A golden writer' Andrew MarrA. A. Gill was rightly hailed as one of the greatest journalists of our time. This selection of some of his recent pieces, which he made himself before his untimely death, spans the last five years from all corners of the world. It shows him at his most perceptive, brilliant and funny.His subjects range from the controversial - fur - to the heartfelt - a fantastic crystallisation of what it means to be European. He tackles life drawing, designs his own tweed, considers boyhood through the prism of the Museum of Childhood, and spends a day at Donald Trump's university. In his final two articles he wrote with characteristic wit and courage about his cancer diagnosis - 'the full English - and the limits of the NHS. But more than any other subject, a recurring theme emerges in the overwhelming story of our times: the refugee crisis. In the last few years A. A. Gill wrote with compassion and anger about the refugees' story, giving us both its human face and its appalling context. The resulting articles are journalism at its finest and fiercest.
By H.G. Wells
Stong-willed, reckless and fiercely independent, Ann Veronica Stanley is determined to be a 'Person', to work, love and, above all, to live. Walking away from her stifling father and the social conventions of her time, she leaves drab suburbia for Edwardian London and encounters an unknown world of suffragettes, Fabians and free love. But it is only when she meets the charismatic Capes that she truly confronts the meaning of her new found freedom. Ann Veronica caused a sensation, damned in the press and preached against from the pulpits when it was first published in 1909 due to Wells' groundbreaking treatment of female sexuality.
By H.G. Wells
George Ponderevo, a student of science, is enlisted to help with the promotion of Tono-Bungay. Tono-Bungay is a harmful stimulant disguised as a miraculous cure-all, the creation of his ambitious uncle Edward. As the tonic prospers, George experiences a swift rise in social status, elevating him to riches and opportunities that he had never imagined, nor indeed desired. Meanwhile, George ricochets romantically between his unsuccessful marriage to Marion, his affair with the liberated Effie and his doomed relationship with the Hon. Beatrice Normandy, a childhood friend. But the Tono-Bungay empire eventually over-extends itself and George must try to prop up his uncle's finances by stealing the radioactive compound 'quap' from an island near Africa...
By John Clute
For nearly 40 years John Clute has been reviewing science fiction and fantasy. Strokes is a collection of reviews from a wide variety of sources - including Interzone, the New York Review of Science Fiction, and Science Fiction Weekly - about the most significant literatures of the twenty-first century: science fiction, fantasy and horror: the literatures Clute argues should be recognized as the central modes of fantastika in our times. It covers the period between 1966 and 1986.
Look at the Evidence
By John Clute
For nearly 40 years John Clute has been reviewing science fiction and fantasy. Look at the Evidence is a collection of reviews from a wide variety of sources - including Interzone, the New York Review of Science Fiction, and Science Fiction Weekly - about the most significant literatures of the twenty-first century: science fiction, fantasy and horror: the literatures Clute argues should be recognized as the central modes of fantastika in our times. It covers the period between 1987 and 1992.
By John Clute
Canary Fever is a collection of reviews about the most significant literatures of the twenty-first century: science fiction, fantasy and horror: the literatures Clute argues should be recognized as the central modes of fantastika in our times. The title refers to the canary in the coal mine, who whiffs gas and dies to save miners; reviewers of fantastika can find themselves in a similar position, though words can only hurt us.
By John Clute
Stay gathers together 100,000 words of reviews, plus short fiction by John Clute, and was originally published to coincide with Loncon3 (the 2014 World Science Fiction Convention) at which he was one of the Guests of Honour.Also included is a complete reprint of the text of The Darkening Garden.
By John Clute
For nearly 40 years John Clute has been reviewing science fiction and fantasy. As Scores demonstrates, his devotion to the task of understanding the central literatures of our era has not slackened. There are jokes in Scores, and curses, and tirades, and apologies, and riffs; but every word of every review, in the end, is about how we understand the stories we tell about the world. Following on from his two previous books of collected reviews (Strokes and Look at the Evidence) this book collects reviews from a wide variety of sources, but mostly from Interzone, the New York Review of Science Fiction, and Science Fiction Weekly. Where it has seemed possible to do so without distorting contemporary responses to books, these reviews have been revised, sometimes extensively. 125 review articles, over 200 books reviewed in more than 214,000 words.
Pardon This Intrusion
By John Clute
Pardon This Intrusion gathers together 47 pieces by John Clute, some written as long ago as 1985, though most are recent. The addresses and essays in Part One, "Fantastika in the World Storm", all written in the twenty-first century, reflect upon the dynamic relationship between fantastika - an umbrella term Clute uses to describe science fiction, horror and fantasy - and the world we live in now. Of these pieces, "Next", a contemporary response to 9/11, has not been revised; everything else in Part One has been reworked, sometimes extensively. Parts Two, Three and Four include essays and author studies and introductions to particular works; as they are mostly recent, Clute has felt free to rework them where necessary. The few early pieces - including "Lunch with AJ and the WOMBATS", a response to the Scientology scandal at the Brighton WorldCon in 1987 - are unchanged.
By Philip Eade
BOOK OF THE WEEK on BBC Radio 4, a GUARDIAN, SUNDAY TIMES and FINANCIAL TIMES Book of the Year and a Waterstones.com Best Biography of 2016'A brisk, lively and wonderfully entertaining account of the life of a strange, tormented, unique creature' JOHN BANVILLE, NEW YORK REVIEW OF BOOKS'Excellent ... read this book' LITERARY REVIEW'An exemplary piece of work' DAILY MAIL'The best single-volume life of the author available' IRISH TIMESEvelyn Waugh was described by Graham Greene as 'the greatest novelist of my generation', yet reckoned by Hilaire Belloc to have been possessed by the devil.Waugh's literary reputation has continued to rise since Greene's assessment in 1966. Fifty years on from his death, Philip Eade takes a fresh look at this famously complex character and tells the full story of his dramatic, colourful and frequently bizarre life: his strained relationship with his sentimental father and blatantly favoured elder brother, and the burning ambition they provoked in him; his formative homosexual love affairs at Oxford; his disastrous first marriage and subsequent conversion to Roman Catholicism; his unrequited love for the brightest of the bright young people; his complex interest in the aristocracy and what the aristocrats made of him; his insane bravery yet chequered wartime career; his drug-induced madness; his strangely successful second marriage; his unconventional attitude to his six children; his sharp tongue; his devastating wit; the love, fear and loathing that he variously inspired.Scrupulously researched and sympathetically written, this is a sparkling and compelling new biography of one of the greatest writers of the twentieth century - and one of England's most mythologised eccentrics.
By Vikram Seth
'I have so carefully mapped the corners of my mindThat I am forever waking in a lost country...'SUMMER REQUIEM traces the immutable shifting of the seasons, the relentless rhythms of a great world that both 'gifts and harms'. Luminous, resonant and profound, these poems trace the dying days of summer, 'the hour of rust', when memory is haunted by loss and decay. But in the silence that follows, as the soul is cast adrift, there is also reconciliation with the transience of all things; the knowledge that there is a place, 'changeable, that will not betray'.
The Collected Poems of Dylan Thomas
By Dylan Thomas
Like Shakespeare and Joyce before him, Dylan Thomas expanded our sense of what the English language can do. Rhythmically forceful yet subtly musical and full of memorable lines, his poems are anthology favourites; his 'play for voices' Under Milk Wood a modern classic. Much loved by The Beatles and Bob Dylan, he is a cultural icon and continues to inspire artists today.This new edition, released to commemorate the centenary of Thomas's birth, collects more of his poems together in a single volume than ever before. With recently discovered material and accessible critique from Dylan Thomas expert John Goodby, it looks at Thomas's body of work in a fresh light, taking us to the beating heart of his poetry.
The American Shore
By Samuel R. Delany
In the course of his considerations, Samuel R. Delany poses a theory of discourse and explores how the reading of various rhetorical turns, some science fictional, some not, is shifted by science fictional understanding.