A Life in Parts
By Bryan Cranston
A poignant, intimate, funny, inspiring memoir - both a coming-of-age story and a meditation on creativity, devotion, and craft - from Bryan Cranston, beloved and acclaimed star of one of history's most successful TV shows, Breaking Bad. Bryan Cranston landed his first role at seven, when his father cast him in a United Way commercial. Acting was clearly the boy's destiny, until one day his father disappeared. Destiny suddenly took a backseat to survival. Now, in his riveting memoir, Cranston maps his zigzag journey from abandoned son to beloved star by recalling the many odd parts he's played in real life - paperboy, farmhand, security guard, dating consultant, murder suspect, dock loader, lover, husband, father. Cranston also chronicles his evolution on camera, from soap opera player trying to master the rules of show business to legendary character actor turning in classic performances as Seinfeld dentist Tim Whatley, "a sadist with newer magazines," and Malcolm in the Middle dad Hal Wilkerson, a lovable bumbler in tighty-whities. He also gives an inspiring account of how he prepared, physically and mentally, for the challenging role of President Lyndon Johnson, a tour de force that won him a Tony to go along with his four Emmys. Of course, Cranston dives deep into the grittiest details of his greatest role, explaining how he searched inward for the personal darkness that would help him create one of the most memorable performances ever captured on screen: Walter White, chemistry teacher turned drug kingpin. Discussing his life as few men do, describing his art as few actors can, Cranston has much to say about creativity, devotion, and craft, as well as innate talent and its challenges and benefits and proper maintenance. But ultimately A Life in Parts is a story about the joy, the necessity, and the transformative power of simple hard work.
By Anne Sebba
WINNER OF THE FRANCO-BRITISH SOCIETY BOOK PRIZE 2016What did it feel like to be a woman living in Paris from 1939 to 1949? These were years of fear, power, aggression, courage, deprivation and secrets until - finally - renewal and retribution. Even at the darkest moments of Occupation, glamour was ever present. French women wore lipstick. Why?It was women who came face to face with the German conquerors on a daily basis - perhaps selling them their clothes or travelling alongside them on the Metro, where a German soldier had priority over seats. By looking at a wide range of individuals from collaborators to resisters, actresses and prostitutes to teachers and writers, Anne Sebba shows that women made life-and-death decisions every day, and, in an atmosphere where sex became currency, often did whatever they needed to survive. Her fascinating cast includes both native Parisian women and those living in Paris temporarily: American women and Nazi wives, spies, mothers, mistresses, and fashion and jewellery designers. Some women, like the heiress Béatrice de Camondo or novelist Irène Némirovsky, converted to Catholicism; others like lesbian racing driver Violette Morris embraced the Nazi philosophy; only a handful, like Coco Chanel, retreated to the Ritz with a German lover.In enthralling detail Sebba explores the aftershock of the Second World War and the choices demanded. How did the women who survived to see the Liberation of Paris come to terms with their actions and those of others? Although politics lies at its heart, Les Parisiennes is the first in-depth account of the everyday lives of women and young girls in this most feminine of cities.
By Eric Hobsbawm
The topics covered in this book can be divided into four broad groups: studies of labour conditions up to the middle of the nineteenth century; studies in the 'new trade unionism' of 1889 to 1914; studies in the late nineteenth-century revival of Socialism in Britain; and more general topics covering a wider chronological span. The common factor in this wide-ranging work is that, unlike much other work of labour history, it concentrates on the working classes as such, and on the economic and technical conditions which allowed labour movements to be effective or which prevented their effectiveness.This work is notable not only for its clarity and incisiveness, but also for the richness and variety of the material, which ranges from Marx to Methodism and from labour traditions to the machine breakers.