‘Freeling’s Inspector Van der Valk is less rugged than Rebus, less parsonical than Dalgliesh, more Morse than Frost, and more Maigret than any of them. Marvellous’ – Anita Brookner
‘Freeling is a joy to read’ TLS
‘You’re in for a treat’ COSMOPOLITAN
A woman, Elsa, is brutally murdered in her Amsterdam apartment. Her ex-lover, Martin, is seen outside the building around the time of the crime. The witness who saw him? A policeman.
It looks like a straightforward case – but police inspector Van der Valk is not convinced. Despite all the evidence – and the fact that Martin originally denied he was at the apartment – he believes Martin is not guilty of murder. Instead of charging him, Van der Valk takes him on a tour: a tour of the investigation; a tour of Martin’s own past; and a tour into the darkly obsessive world of Elsa…
A small village is the scene of two brutal murders – and everyone is under suspicion.
A classic of crime fiction
The village of Pennycross is the scene of two brutal child murders within a few months. The villagers’ lives are monitored by a team of police, led by Chief Inspector Hunter, as they watch and wait, piecing together the clues to trap the killer before another life is lost.
Inspector Hunter comes to learn much about the inhabitants of Pennycross – who resort to their own drastic action when a suspicious character is seen running through the woods…
Agnes receives few compliments, and Henry Preble is not so bad-looking even if he does have a reputation for cornering girls at work. In the eyes of the world, knowing that you’re on the shelf at twenty-four can do strange things to a girl. So strange that you might wake up one morning with almost no recollection of the previous night’s events . . . Published for the first time in the UK, The Gardenia, the basis for Fritz Lang’s 1953 classic Hollywood noir film The Blue Gardenia, is a gripping story of suspense and a brilliant exposé of the press sensationalism of 1950s America.
This volume also contains Out of the Blue, which was made into a comedy film in 1947 starring George Brent and Carole Landis.
Geoffrey Hastings is doing very well for himself: having survived the Great War, he is not only working for wealthy financier Sir John Smethurst but is engaged to his daughter, Emily. Hastings has a rival for Emily’s affections in the form of Samuel McCorquodale, a successful businessman and both friend and rival of Sir John, and there is no love lost between the two men.
Then Sir John is found murdered, and suspicion falls on Hastings until an unexpected alibi sets him free.
But who did murder Sir John? Layer after layer of deception is peeled away until the shocking truth emerges . . .
At a meeting of Quenborough Borough Council, the Mayor, Sir John Assington, is accused by Alderman Trant of wasting money and turning a blind eye to speculators on the make.
Then Trant is stabbed with his own knife, and while dying, manages to scratch the initials ‘MA’ on a piece of paper.
Local Chief Constable Race is on the case. He is new to the force, so Superintendent Vorley comes to his aid. With the help of Scotland Yard, in the shape of Inspector Lott, they each bring a different approach to the investigation.
For the truth is rarely straightforward . . .
Aylwin Hundrych is a diplomat with political aspirations, who was once involved with a French girl, Antoinette, with whom he unwittingly shared details about a royal visit to Paris – details which put the King’s life in danger. Antoinette’s brother holds the former lovers’ letters, and is threatening to use them. Hundrych makes a first payment, but the demands continue.
Hundrych enlists his old friend Sir Vane Tabbard’s son, an ex-commando called Gray Tabbard, who is not too scrupulous about what he does. Gray searches the blackmailer’s apartment, but reports back that he cannot find a particularly compromising note.
And Gray is in love with the girl Hundrych plans to marry . . .
Detective Constable Henry Campion turns lone avenger when his childhood friend and colleague DC Fred Jordan is shot dead by a gangster who is spared the death sentence. And Campion is convinced there were two killers. To try to catch the second, Campion goes undercover as a spiv in a King’s Cross nightclub, the Full Moon.
But Campion’s adventures at the Full Moon draw him deeper into gangland, and closer to the woman of his dreams – his dead friend’s widow . . .
But is it love, or is Anne Jordan using Campion for her own ends?
Colonel Jerrod has just six months to live, but he needs a year if he is to save Brackton, the family estate, from crippling death duties. Then his ambitious son, Grant, has an idea, one that involves Colonel Jerrod’s carefree brother, Philip, and which develops into a complicated fraud that, he hopes, will safeguard Brackton for future generations.
But there is a boating accident, in which Colonel Jerrod is believed drowned, and a visit at Brackton from the Inland Revenue to clear up some routine questions . . . Before long, Chief Inspector Poole finds himself drawn into the investigation with questions of his own.
Hector Berrenton returns home from hospital after a serious car accident to find a terse note: San Podino. This is yours. Fallon next.
Suspecting Berrenton’s car has been tampered with, the North Sussex Police call in Scotland Yard. Chief Inspector John Poole, put in charge of the investigation, quickly discovers that three years earlier Berrenton and his partner, Jocelyn Fallon, had been on trial accused of fraud. The crime they were accused of was in connection with a Bolivian goldmine, San Podino, and though the two men were acquitted, a number of investors suffered considerable financial loss.
Soon Inspector Poole is dealing with attempted murder . . .
A baker’s dozen of stories from the Golden Age master of the police procedural: seven from the casebook of Detective Inspector John Poole, whose brilliant work in the The Duke of York’s Steps and No Friendly Drop will be remembered by readers of Wade novels; and six miscellaneous narratives of crime and detection, all of them displaying the scientific ingenuity which distinguishes Wade’s work.
The night watchman at Hallams, the long-established Bond Street jewellers, is found dead with his head battered in, and a number of display cases have been rifled. Chief Inspector Burr picks up the trail, with the young Inspector Poole as his assistant.
But before long, the crime at Hallams is overshadowed by a mystery which stirs Scotland Yard into a frenzy of activity. Even the great Superintendent Fraser is aroused from his customary Olympian calm; but it is the detailed work of young Poole which eventually solves the double problem, links mystery to mystery and brings the clear light of day . . .
Two men in Hadestone Prison are approaching the end of their sentences for burglary and assault. James Carson is well educated but brutal; Toddy Shaw is a cheerful cockney who considers burglary a sport. Trouble flares in the chapel, and both Shaw and Carson are involved. Eventually both men are released, but old hatreds fester.
Toddy gets work on leaving prison, wanting to do right by his wife and family. Carson, released later, soon comes looking for Toddy.
Then a nightwatchman at a bank is murdered – a former prison guard at Hadestone – and Chief Inspector Holby will need to prove himself a match for whatever dark mind is on the loose . . .