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In the Nazi-occupied Warsaw of 1943, Irma Seidenman, a young Jewish widow, possesses two attributes that can spell the difference between life and death: she has blue eyes and blond hair.
With these, and a set of false papers, she has slipped out of the ghetto, passing as the wife of a Polish officer, until one day an informer spots her on the street and drags her off to the Gestapo.
At times a dark lament, at others a sly and sardonic thriller, The Beautiful Mrs. Seidenman is the story of the thirty-six hours that follow Irma’s arrest and the events that lead to her dramatic rescue as the last of Warsaw’s Jews are about to meet their deaths in the burning ghetto.

‘Dense, lyrical and deeply unsettling… By focusing on a couple of weeks in the lives of a dozen Warsaw residents and occasionally leaping forward into the convulsions of recent Polish politics, Mr. Szczypiorski is able to delineate the consequences of World War II on a group of ordinary citizens, and the place of that war within the arc of Polish history. Though the novel is in many ways an anguished and loving elegy for the Poland that sustained the convulsions of World War II, the book also takes an uncompromising look at the anti-Semitism and class prejudices that have flourished so tragically in that country – and the attendant legacy of fear and hate and guilt’


There are accidental heroes and inadvertent villains, surprising and unexpected switches that lend the book its extraordinary originality.
Los Angeles Times
An exceptional storyteller, Szczypiorski passionately recreates the tumultuous war years for us... A rare find.
Publishers Weekly
A masterpiece of modern prose which grips the reader with the power of a high-class thriller.
Frankfurter Rundschau
Szczypiorski recounts the eternal calvary of a Poland drunk with independence, but always enslaved and always crushed, in a sparse language as classical as that of Thomas Mann. Superb.
Le Figaro
A masterful accomplishment, written with the kind of suspense that makes it impossible to put down.
Neue Zürcher Zeitung
The authorial voice here - now gentle, now sardonic, but always piercingly omniscient - takes unique advantage of its eighties' perspective to create an unforgettable group portrait.
Kirkus Reviews