Through the eyes of her narrator-voyeur, Susanna Moore leads us down to the basements and subways of her noirish New York. Here, the distinctions between pleasure and violence begin to blur; in this world, as in ours, the fact alone of femaleness is enough to elicit danger. Claustrophobic, disorienting, nauseating - In The Cut takes you to the place where desire transforms into fear, and it holds you there.
Riding shotgun on Frannie's chaotic descent is a difficult experience to shake. In the Cut is voyeuristic in content and by design, making us more queasily complicit with every page turned (and they turn fast).
In The Cut is surely one of the most underrated books of all time. Moore navigates the claustrophobic streets of a seedy New York and the dark, hidden avenues of female desire with equal grace, rewriting the thriller template with an elegance that proves totally devastating. She looks unflinchingly towards the darkness and finds beauty there as well as old, inescapable truths about what it means to be a reckless woman in a world of dangerous men.
'In the Cut blew me away. It's truly extraordinary. The writing is so precise and perceptive, the plot so disturbing, frightening and erotic all at once. It reminds me of Elena Ferrante's Troubling Love - this profoundly clever woman with her life in her hands.'
Frannie's adventures in sex, language and power are as dangerous as the city she is consumed by. Deep red and hot as hell, In the Cut is one of the most x-rated, unforgettable examinations of straight, white female fragility, its depravities and desires, but above all, its breathtaking certainty of its own innocence, that I have ever read.
Brutal, witty and electrifying, this is one of the best and bleakest thrillers I've ever read. As stylish as Chandler, as savage as Dworkin, its uncompromising portrait of the erotic dynamic between men and women makes it essential reading in the dark waters of the 21st century.
Horrific, the sexiest book ever, vile, devastatingly true, not for the faint hearted.
Not a word is wasted in this examination of one woman's sexual odyssey as Moore builds to a shattering climax.
Strange, uncomfortable, compelling, shocking, hot, scary. The scariness of the book arises from what feels like being trapped in the protagonist's head - the way she treats the people around her like specimens, as though she's conducting a forensic autopsy on the world.
This book will keep you up all night and give you chills. Both relentlessly menacing and transgressively brilliant, In the Cut is a twisty, nerve-shredding reading experience. A rare breed of literary thriller that manages to be deeply disturbing, violently erotic, and truly unforgettable.
A streamlined and elegant meditation on language, sexuality and violence. Flawless.
I've never read anything like IN THE CUT. The lethal precision, repulsive and propulsive, cerebral and visceral, makes it the kind of intelligent thriller that takes you over completely. Seductively at first, then in a chokehold. When I finished I was ready to pass out.
I am in awe of In the Cut, a book about violence and sexuality that pays meticulous attention to language in a sharp, sardonic voice that calls to mind Lorrie Moore and Lydia Davis. It is extraordinarily unrestricted about female desire and sexuality, a completely propulsive reading experience and simply one of my favourite books.
I don't think I've enjoyed and devoured a book like this since ever. I couldn't put it down.
In the Cut shocks in a way I'd forgotten was possible. It is taut and filthy and beautifully written.